AUDIENCE REVIEWS

Celebration Africa

Mrs Reynold (From Bored To Night Reviews on Musicals & Opera at The Edinburgh Festival)

5 Stars. Went to see Celebration Africa with friends and thoroughly enjoyed it.The music and poetry was so moving and rich in texture. I loved the audience participation in the performance.......Outstanding performance from Josephine Amankwah, what a voice and stage presence. Reading from Tetteh Kofi was so engaging. The musicians added a great background to the programme. I recommend this show highly.

John Harris White

My partner and myself were with you on Saturday afternoon at the Ballroom, Carlton Hotel. We very much enjoyed and appreciated Celebration Africa. For myself it brought back memories of our prayers and songs for South Africa in the apartheid era.Also the whole show was inspiring, and I must admit a little uncomfortable at times, when we thought of the term, untrue, darkest Africa. Again thank you. Is a Cd available of your songs and of the show?

Sophia Eribo

Marvellous singing and wonderful poetry rejoicing at black cultural heritage, transporting the audience across the ocean to Mother Africa.

PRESS REVIEWS

Celebration Africa

Three Weeks Fringe, Holly Williams

Classically Trained Amankwah is an impressive vocal Talent.

Seven Deadly Sins of the Petty Bourgeoisie

The Sunday Times, Culture

"The piece is sustained brilliantly by ... the singing of Josephine Amankwah, who could well follow in the steps of Lotte Lenya."

The Independent, Rhoda Koenig

"As Anna 1, Josephine Amankwah has a thrilling and haunting soprano."

The Stage, Gareth Evans

"Anna is played as two... so opera singer Josephine Amankwah and dancer Yumino Seki - both wonderful - move together."

Time Out, Patrick Marmion

" Josephine Amankwah, a long striking black woman with the voice of a nightingale. "

Evening Standard, Metro Magazine, Nicholas de Jong

" ...fetchingly sung by Josephine Amankwah. "

The British Theatre Guide

" Josephine Amankwah, as Anna 1, has the carriage and the facial bone structure of an African queen, and a voice of such purity that there is an apt illumination of Brecht's theories of theatre in the contrast between the voice and the words she sings, conjoining Anna 2 to sacrifice integrity, body and happiness for material success. "

Lost in the Stars

International Herald Tribune, Sheridan Morley

" the rich voice of Josephine Amankwah as Irina [was] outstanding "

Brixtonian Opera, Covent Garden Festival

The Independent, Robert Maycock

" High powered performers ... we will hear more of Josephine Amankwah "

Eva Smythe at The Players Theatre, Plays & Players Magazine

"John Dalby introduced his glamorous black pupil Josephine Amankwah, who sang Is It Too Much To Ask? so stylishly that we knew here was a star of the future."

Dido and Aeneas

Opera

" Josephine Amankwah's Lady fielded ... sumptuous tone and a confident stage performance. "
Flash music player.
Join Mailing List